La Voz de Galicia
Hector J. 30/04/2011
Porto
Hector J. 30/04/2011
Porto
VERY DIFFERENT TWO NOVELS Kafkaesque investigate the tensions that arose in CO LIFE OF TERRITORIES.
The novel and film, has often visited the territories occupied by Germany Hitler to paraphrase the heroism of the partisans, but has avoided indulging in attitudes collaborators, the daily miseries marked by the fear of betrayal, treachery, denial of the ideals quick own to survive comfortably, selfishness, abuse of power who has spent the invading forces ... It is in this scenario where they move, yes, very different and divergent aesthetic and objectives-the two novels here has, with notable both for excellence: A comedy in a minor (1947) by Hans Keilson and The Trap (1945 ) by Emmanuel Bove. Keilson
poses a delicate and intimate drama with just three characters, which brings into play the fears of a couple who welcomed her into her home in secret to a Jew. The story unfolds in a small Dutch town that seems oblivious to the war except the distant roar of allied aircraft over the road to Germany or any noise of any shooting. And yet, fears take over the daily life for the sake of the unusual presence of the tenant on the first floor. Although becomes established a strong association between them, never reach a good understanding of his guest until a whimsical twist of fate, which enhances the perception of Kafka's what happens-give a complete turnaround in his condition.
Despite sharing the immediacy of the writing and the facts, and both lack detodo viso rhetorical or epic, The trap is located far from the exquisite sensitivity of Keilson. Bove signing a most politically charged novel of complaint and with a strong testimonial. It is the story of how Bridet, a man who does not accept the Vichy regime, and that without being a Jew or Communist, or a real threat with his awkwardness and fears set in motion a perverse mechanism-the bureaucracy-to collaborator will take the wrong term.
Two gorgeous precious jewels.
The novel and film, has often visited the territories occupied by Germany Hitler to paraphrase the heroism of the partisans, but has avoided indulging in attitudes collaborators, the daily miseries marked by the fear of betrayal, treachery, denial of the ideals quick own to survive comfortably, selfishness, abuse of power who has spent the invading forces ... It is in this scenario where they move, yes, very different and divergent aesthetic and objectives-the two novels here has, with notable both for excellence: A comedy in a minor (1947) by Hans Keilson and The Trap (1945 ) by Emmanuel Bove. Keilson
poses a delicate and intimate drama with just three characters, which brings into play the fears of a couple who welcomed her into her home in secret to a Jew. The story unfolds in a small Dutch town that seems oblivious to the war except the distant roar of allied aircraft over the road to Germany or any noise of any shooting. And yet, fears take over the daily life for the sake of the unusual presence of the tenant on the first floor. Although becomes established a strong association between them, never reach a good understanding of his guest until a whimsical twist of fate, which enhances the perception of Kafka's what happens-give a complete turnaround in his condition.
Despite sharing the immediacy of the writing and the facts, and both lack detodo viso rhetorical or epic, The trap is located far from the exquisite sensitivity of Keilson. Bove signing a most politically charged novel of complaint and with a strong testimonial. It is the story of how Bridet, a man who does not accept the Vichy regime, and that without being a Jew or Communist, or a real threat with his awkwardness and fears set in motion a perverse mechanism-the bureaucracy-to collaborator will take the wrong term.
Two gorgeous precious jewels.
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