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Book Review Domínguez Santos
29/03/2011
Book Review Domínguez Santos
29/03/2011
impossible not only for his biography, up to his name was called that rare Macedonio Fernández (Buenos Aires, 1874-1952) seemed apocryphal. His whole life was writing a novel, of his life, and only when he died it was found that was not an invention of Gomez de la Serna and Borges, who wrote to his death a farewell text to which these routes, exceptional expressing affection usually someone as chaste: Macedonian
endure in his work as a loving heart mythology. One of the joys of my life is being a friend of Macedonio, is seeing him live. Inclasificable
narrator ultraist precursor of poetry, essayist irreverent, is one of the most influential authors in contemporary literature Argentina. Not only Borges, of course. Ricardo Piglia made in 1992 in his novel La ciudad ausente a tribute to figure Macedonio and his ability to make an instrument perplexed narrative.
precursor was more than a writer who broke this and took not only as an avant-garde style, but as a way of looking at reality and be in the world. Grandson of Socrates Cervantes, for whom he always expressed boundless admiration, saw the importance of oral literature. Borges is again reminded that less in reading than in conversation
Before being written, the jokes and speculation Macedonio were oral. I have known the joy of seeing them emerge, random dialogue, with a spontaneity that might not bear on the written page.
Recienvenido papers and Continued Nothing, the two books together in one volume in 1944, are two manifestations of a radical renewal that literature uses absurd humor as a weapon destructive logic and as a reflection of a reality absurd.
The mystery, the miracle of irrationality and shield are humorous and claimed in Denial, the text that justifies the publication of the book:
If many fears, and a continued imposition of the Mystery, made humorist No one writes more cheerfully, will become more optimistic than I am.
Recienvenido Papers In ( be "recienvenido" in Buenos Aires not forgive for a moment, it's like insolence ) met the confessions of a newcomer to the literary circles of Buenos Aires , the Chapters recienvenido an autobiography of his brave and brilliant study early mistakes ( Someone will say: But Recienvenido, birthday again! You are correct! The experience does not serve anything! At his age has a birthday! I actually would not do it among friends. But nothing in the biographies required.)
And in a second emulated the speaking section of a confused man in Brindis Gomez de la Serna, Jules Supervielle or Gerardo Diego ( Accept with certainty of affection and appreciation of your talents, the sincerity of this show. It would be indiscreet of me to try commendation and a review of those. The greeting to a visitor who is willing is the whole meaning of the momentary current. I said ).
In Continued Nothing , which published as the second part ( or half distinctly 2 ª ) of Papers Recienvenido, met five poses photo to draw an autobiography, six chapters on himself as the Fool of Buenos Aires and nine themes of the book that says goodbye.
not only in his work reflected his personality: criticized irony and distance, but was part of the same character, the prototype moves Buenos Aires between disorder and the apology, between naps and superficial rhetoric between the toast at the openings and humorous wit that warns the reader: Leave it
promise to someday work Comical coherent and systematic, Jokes and Humor. The material and doctrine are almost, lacking the discipline and order, virtues often useful and important and that the reader's mental economy highly estimated.
Both titles are published Barataria smoke in his splendid library to the south with the R Etrat of Macedonio Fernández who wrote Ramón Gómez de la Serna and served as a prologue in 1944. In this portrait prefatory are these words:
Macedonio Fernández is a wonderful Creole from the porch of the hidden room is the most influential in the letters worth reading for what he found is the style of the Argentine It was like finding Manueline architecture for Portugal. Creator
feverish visionary, Macedonio Fernández Borges was not just the teacher, but an example of absolute devotion to literature: Defining
Macedonio Fernández seems an impossible task, is to define the red terms of another color; I understand that the epithet "great, so it excludes states and what is perhaps the most accurate that can be found.
endure in his work as a loving heart mythology. One of the joys of my life is being a friend of Macedonio, is seeing him live. Inclasificable
narrator ultraist precursor of poetry, essayist irreverent, is one of the most influential authors in contemporary literature Argentina. Not only Borges, of course. Ricardo Piglia made in 1992 in his novel La ciudad ausente a tribute to figure Macedonio and his ability to make an instrument perplexed narrative.
precursor was more than a writer who broke this and took not only as an avant-garde style, but as a way of looking at reality and be in the world. Grandson of Socrates Cervantes, for whom he always expressed boundless admiration, saw the importance of oral literature. Borges is again reminded that less in reading than in conversation
Before being written, the jokes and speculation Macedonio were oral. I have known the joy of seeing them emerge, random dialogue, with a spontaneity that might not bear on the written page.
Recienvenido papers and Continued Nothing, the two books together in one volume in 1944, are two manifestations of a radical renewal that literature uses absurd humor as a weapon destructive logic and as a reflection of a reality absurd.
The mystery, the miracle of irrationality and shield are humorous and claimed in Denial, the text that justifies the publication of the book:
If many fears, and a continued imposition of the Mystery, made humorist No one writes more cheerfully, will become more optimistic than I am.
Recienvenido Papers In ( be "recienvenido" in Buenos Aires not forgive for a moment, it's like insolence ) met the confessions of a newcomer to the literary circles of Buenos Aires , the Chapters recienvenido an autobiography of his brave and brilliant study early mistakes ( Someone will say: But Recienvenido, birthday again! You are correct! The experience does not serve anything! At his age has a birthday! I actually would not do it among friends. But nothing in the biographies required.)
And in a second emulated the speaking section of a confused man in Brindis Gomez de la Serna, Jules Supervielle or Gerardo Diego ( Accept with certainty of affection and appreciation of your talents, the sincerity of this show. It would be indiscreet of me to try commendation and a review of those. The greeting to a visitor who is willing is the whole meaning of the momentary current. I said ).
In Continued Nothing , which published as the second part ( or half distinctly 2 ª ) of Papers Recienvenido, met five poses photo to draw an autobiography, six chapters on himself as the Fool of Buenos Aires and nine themes of the book that says goodbye.
not only in his work reflected his personality: criticized irony and distance, but was part of the same character, the prototype moves Buenos Aires between disorder and the apology, between naps and superficial rhetoric between the toast at the openings and humorous wit that warns the reader: Leave it
promise to someday work Comical coherent and systematic, Jokes and Humor. The material and doctrine are almost, lacking the discipline and order, virtues often useful and important and that the reader's mental economy highly estimated.
Both titles are published Barataria smoke in his splendid library to the south with the R Etrat of Macedonio Fernández who wrote Ramón Gómez de la Serna and served as a prologue in 1944. In this portrait prefatory are these words:
Macedonio Fernández is a wonderful Creole from the porch of the hidden room is the most influential in the letters worth reading for what he found is the style of the Argentine It was like finding Manueline architecture for Portugal. Creator
feverish visionary, Macedonio Fernández Borges was not just the teacher, but an example of absolute devotion to literature: Defining
Macedonio Fernández seems an impossible task, is to define the red terms of another color; I understand that the epithet "great, so it excludes states and what is perhaps the most accurate that can be found.
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